The Shenyang History Museum of Septem ber 18th Incident was built, behind the broken monument erected to com memorate the incident thai took place m 1931. on a narrow piece of ground (700mx 45m), flannked on one side by the Shenyang-Harbin Rail way and on the other by a main thoroughfare of the metropolis. The monument, which respects the historical facts, constitutes the main idea for designing the project. By the side of the monument, surrounded by a wall, there is a 100-mette-long s-shaped driveway leading up to the museum The tablet made by the Japanese army to tell the invented story of a born bcase, pretext to start the invasion against China. is still kept there. A wall was buile along the railway to fend off the rattling noise. The ham e of the museum over the entrance of the building was written by President Jiang Zeroing. On the surface of the building are the sculptures in high relief. The design of the exhibition halls is smooth and flowing, and a strong com meorative atm osphere can be felt. At the end of the build-ing, there is a pillar in com memoration of the Anti-Japanese War. The 400-metre-long museum has become an important landmark in the vicinity.

将杨延宝先生的建筑学术思想总结为5条：1. 实践是建筑设行的工基本，是建筑教育的重要环节。2. 国情出发，依据当时当地的社会、经济、技术状况做出合理设计。3. 在中西文化的交流中探索筑文化的传承、转换和创新。4. 将建筑看成是社会人的建筑，辨证地对待建筑的变化。了解实施过程又注重结果。5. 尊重自然环境与建筑、城市的融合，尊重建筑历史、技科的发展，不断提高建筑文化境界。

本文从理论和实践的结合上论述建筑创作的社会构成。建筑创作是社会实践活动的全过程，要反映时空结构上的关差异，它是建筑文化的相互交汇、渗透和延续的表现。建筑创作也是社会约定俗成的突破，是参与性智慧的集约。建筑师的创作要有环境的感应，同时，建筑创作阳是一种形态构成的研究。